WALKING AS METHOD

My practice has always been rooted in walking, observation and making as ways of understanding place. Through moving slowly through landscapes, collecting materials and paying close attention to what is often overlooked, I explore how knowledge is formed through embodied experience. Walking is not simply a subject within my work but a methodology—one that allows relationships between people, environments and materials to emerge through time, presence and careful observation.

My current research extends these concerns into the infrastructures that increasingly shape our everyday lives. I am interested in how digital technologies, public space and accessibility influence the ways we move through and understand the world. Rather than seeing ecological and digital systems as opposing forces, I am exploring how they overlap, interact and sometimes conflict, asking what becomes visible when we shift our attention away from efficiency and towards lived experience, material traces and the overlooked rhythms of place.

This research represents a natural development of my practice rather than a change in direction. Whether working with found materials, creating installations or engaging in site-responsive projects, I continue to investigate the relationships between bodies, landscapes and the often invisible systems that shape our experience. My current work seeks to bring ecological, social and digital ways of knowing into conversation, using artistic practice as a means of revealing connections that are frequently hidden in everyday life.